The multiple action sequences suggest that the Asian blockbuster with Woo’s tutelage is now set to rival Hollywood. They battle each other in their pursuit but finally achieve a hard-fought respect that enables them to overcome the corporate menace.
#Best movies 2017 crime movie#
Who would have guessed that a crime buddy movie would finally bring China and Japan together? John Woo’s (Face/Off, Broken Arrow) return to his Asian cinema roots is a rip snorting meeting of a Chinese lawyer, framed for murder by an evil pharmaceutical company, and an honest cop in Osaka.
The priest struggles mightily but ultimately in vain against the weight of this double carnage and we also are devastated by its impact. At first seems the town’s problem seems to be that has become an illegal waste dump, but he soon learns that the place is infested with young, local crime lords who, having already sold the land as chemical waste deposit, now see the population as a market for their narcotics. 5 – EquilibriumĪ film that in an offbeat way explores the omnipresence of organised crime in Italian society, Equilibrium concerns a priest leaving the safe confines of Rome to return to his village in Southern Italy.
#Best movies 2017 crime tv#
Venice is the lauchpad for autumn movies and TV series, and below are five highly enjoyable and in many ways deeply socially critical festival entries that will be making their way to screens of all sizes in the coming weeks and months. These were two of the most prominent entries in the festival, but not the best. Paramount screened the Hollywood Oscar contender Suburicon, directed by George Clooney and with Matt Damon at the center of a family murder plot hatched in a supposedly crime-free, whitewashed town in the 1950s.
#Best movies 2017 crime series#
Netflix premiered Suburra, a series based on the novel and earlier film about the Sicilian mafia’s plan to build a port on the Roman seaside to import cocaine. In like fashion, crime films and TV series also insinuated themselves into this year’s Venice Film Festival. This suggests that organised crime has not yet penetrated the city, yet in Jonathan Holt’s book The Abomination, the first entry in his Venice trilogy, you can see how many areas of the underground economy are controlled by Italian crime families. On the Grand Canal is a sign that reads ‘No Mafia! Venice is Sacred’.
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